Curatorial Board

Lorenzo Bruni

Curatorial Board Coordinator

Lorenzo Bruni is an art critic and curator, born in Florence, he currently lives in Rome, where he teaches Contemporary Visual Arts at AANT and Multimedia Art Market Theory at the Academy of Fine Arts in Rome. Since 2022 he has been teaching Museology at the Albertina Academy in Turin. He studied with Enrico Crispolti at the University of Siena where he graduated in Modern Literature with an experimental thesis on video art and art of the 2000s with Professor Luca Quattrocchi and the supervision of Professor Guglielmo Moneti. Since 2019 he has been the Artistic Director of The Others, a fair dedicated to independent spaces, galleries and artist residencies that adopt experimental practices within the digital and global art system. Since 2019 he has taken part in the curatorial board of the photography fair in Turin called The Phair. Bruni began his journey in the art world in 1996 working on the production of exhibitions (from 1996 to 2000) of diffuse art in the municipalities of Chianti (in Tuscany) curated by Fabio Cavallucci under the name Tuscia Electa. Since 2001 he has coordinated the non-profit space “BASE Progetti per l’arte” in Florence, with which he collaborates in the following years until today. Over the last twenty years, he has worked for many public and private museum institutions in Italy and abroad (Museo del Novecento in Florence, Museo Macro Testaccio in Rome, MAGA in Gallarate, KKC – Klaipedia in Lithuania, Hisk in Gent, Karst in Plymunth, Musée d’art modern de Saint-Etienne Métropole, Fondazione Lanfranco Baldi in Pelago, the RISO Museum in Palermo), and has systematically collaborated with many galleries on curatorial projects for both emerging and internationally renowned artists. He writes for trade publications and has numerous publications to his credit.

Daniela Grabosch is a Vienna based artist whose performative practice migrates back and forth between digital and physical mediums. She holds an MFA in Performative Art from the Academy of Fine Arts Vienna and a BFA in Fine Arts and Digital Media from Hochschule Düsseldorf. Recent exhibitions include: connections unplugged, bodies rewired, das weisse haus, Vienna, 2021/22; Behind The Times, Solo Show(Abby Lloyd + Alyssa Davis Gallery), online (2020 -); And Then — I Enter[ed] The Deepest Most Dug Cave,Galeria Quadrado Azul, Lisbon (2019/20); We Remember, Off Site Project, online; Hydrobutter, Gomo, Vienna (2019); Animated_Currency_01, Suzie Shride, Vienna (2019); Vie X Mrs, South Way Studio, Marseille (2018); Saló, Salzburger Kunstverein, Salzburg (2017); Objective. The Artist Is Absent, Kunstraum Niederösterreich, Vienna (2016). Grabosch is a 2015 recipient of the Birgit Jürgenssen Preis given by the Arts and Culture Division of the Federal Chancellery of Austria, the Academy of Fine Arts Vienna and Galerie Hubert Winter. She is the founder of the curatorial project YYYYMMDD.

[…] A structure — elaborate, and yet confusing. Where we allow our bodies to loose track of their directions. Moving slowly through passages and narrow alleys, while contemplating over our next [sudden] turns. […]

Daniela Grabosch

DANIELA GRABOSCH

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DANIELA GRABOSCH

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Lydia Pribisova, photo Gintare Žaltauskaite

In the last period we are getting lost. There is no linear time, hierarchies and truth is constantly questioned. We are roaming in our lives as in the labyrinth. We are trying several ways, some of them are blind, some of them are continuing. Where? We are getting lost. On every angle a minotaur could jump to us. But fortunately, at least at The Others Art fair, we can luckily follow the ball of red thread given by the character of the art fair, which means that in each angle we can find the brave, progressive and innovative art projects which are showing us different realities. Serendipity. Here getting lost means a fortunate discovery by a happy accident.

Lýdia Pribišová

LÝDIA PRIBIŠOVÁ

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Lýdia Pribišová is a curator and art historian, she lives in Bratislava, Slovakia. Since 2020 she is a curator at Kunsthalle Bratislava, the same year she had been elected a president of Slovak section of AICA. She is a member of a team of Trenčín, European Capital of Culture 2026. Since 2006 she is Slovak editor of Flash Art Czech & Slovak Edition, since 2015 managing editor. 2013 – 2015 she used to work as project coordinator in tranzit.sk (www.tranzit.org) where she also curated several exhibitions and programs. 2012 she founded nonprofit initiative PILOT http://www.pilot-projects.info. She is contributor in magazines Flash Art, Artribune and Vlna. In 2013 she obtained PhD degree at the University La Sapienza in Rome, in 2016 she published the book La Quadriennale di Roma. Da ente autonomo a fondazione (Quadriennale of Rome. From Public Body to Foundation) based on this research.

She collaborated with institutions and galleries in various countries:
Museum MAXXI, MACRO Museum of Contemporary Art, MLAC Museo Laboratorio d’arte Contemporanrea, Exelettrofonica, Gallery Apart, Studio Stefania Miscetti, AlbumArte, Brazilian Embassy, Studio Trisorio in Rome and Naples, Viafarini in Milano in Italy; Kunsthalle Athena /Greece/; Museum of Art, Cluj – Napoca /Romania/, Muse Festival, Günter Grass Gallery, Gdansk /Poland/; Larm Gallery, Copenhagen, /Denmark/, OI Futuro, Rio De Janeiro /Brazil/; SIC! Luzern /Switzerland/, Zentrum fűr Kunst und Urbanistik /Germany/, Museum of Contemporary Art, Novi Sad /Serbia/, Museum of Modern and Contemporary Art, Rijeka /Croatia/, and tranzit.org, Space, Hit Gallery, Medium Gallery, Šamorín synagogue /Slovakia/.

LÝDIA PRIBIŠOVÁ

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Marta Orsola Sironi (b.1994, Bergamo, Italy) is an independent curator, art historian, and critic based between London and Milan. She’s one of the founders of co_atto, a project space displayed in 18 showcases located in a railway station in Milan, dedicated to the promotion of international emerging artists, with an additional focus on independent publishing. She’s co_founder and director of Knot Agency, a bespoke studio management service catering to emerging art and creativity. She’s the founder and co_curator of “paradise” a nomadic exhibition format that brings contemporary art into ancient palaces with the collaboration of galleries and sponsors, aiming to promote a different approach to emerging contemporary art and curatorship. Marta Orsola Sironi collaborates with BeAdvisors Art Department as curator and special project coordinator.

She graduated as a contemporary art historian and archivist at Brera Academy of Fine Arts and obtained her MA in Art Management at IULM University in Rome with top grades.

Marta Orsola Sironi’s practice is focused on the transmigration and redefinition of forms and identities in contemporary culture and is linked to a reflection on spatial re-appropriation. Other important focuses for Marta Orsola Sironi include the research on sex ecologies, the close relationship between environmental and social justice, intersectional feminism, and gender studies. The aim is to propose a possible application of a transdisciplinary, non-binary, non-heteronormative,non-anthropocentric, non-masculine approach, in favor of a rethinking of human normativity, and of the curatorial practice itself

MARTA ORSOLA SIRONI

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