The Others’ Curatorial Board 2021
Lorenzo Bruni, art critic and curator, he coordinates BASE / Projects for Art in Florence since 2000. He has collaborated with important galleries and institutions both in Italy and abroad, including the KCCC Museum in Lithuania, the RISO Museum in Palermo, KARST in Plymouth, the Pecci Museum in Prato and the Museo 900 in Florence. He currently teaches at the Academy of Arts and New Technologies in Rome.
Elisa Carollo, art advisor, is a careful analyst of new fair and market practices. With a two-year experience in New York following a Master Degree in Art, Law And Business at Christie’s New York, she is now head of the new Art Advisory department of a tax and legal firm in Milan, where she now lives and works.
Dobrila Denegri, art historian and curator with a long experience in museums in Italy, Serbia and Poland, has served for five years as director of the Center of Contemporary Art in Torun, teaching fashion and design, living and working in Rome.
Kateryna Filyuk, curator and critic, after the experience at the course for curators at the De Appel Art Centre in Amsterdam, coordinates the 89books publishing house in Palermo, dedicated to photography, as well as the role of curator of the Izolyatsia Foundation in Kiev, where she experiments new ways of residency for artists.
Francesca Napoli graduated in Art History at the University of Florence. In 2007 she moved to Paris to pursue a master’s degree at the Sorbonne-Panthéon, where she undertakes a double course of studies on Cultural Policies in the field of Contemporary Art. You have coordinated the HiCSA Cultural Program for several years, directed the editorial platform of Daily Art Fai and collaborated with numerous Parisian institutions. Convinced that art returns a more human dimension to the business world by constituting an openness and a strong value, in 2019 Francesca founded the ART & CEO project whose mission is to combine creativity, culture, innovation and business.
Elda Oreto, art historian and critic, after coordinating the Arctic Svalbard Art Centre in Norway, returned to Berlin, where she had founded and directed an art gallery for three years, to devote herself to writing and experimenting with new narratives at the time of social media.