SPECIAL PROJECTS

Thursday 29 OCTOBER 2026

18.00 pm

A Matter of Quality Rushing into My Sight After Black

 

Video live set: Federica Patera e Andrea Sbra Perego

Music: Piero Acuto

 

A Matter of Quality Rushing into My Sight After Black stems from the reworking of three previous audiovisual projects by Federica Patera and Andrea Sbra Perego, presented between 2025 and 2026 in New York City and the Hudson Valley. Conceived in different contexts and formats — ranging from live video sets to site-specific video installations and interdisciplinary performances — the three works converge in a new archive of images, fragments and sequences, extracted from their original contexts.

Sampled, superimposed and transformed in real time, the visual materials enter into dialogue with the music of Piero Acuto. The result is an open narrative, in which rhythms and sonic variations influence the flow of images, which in turn shapes the listening experience.

For The Others, the work unfolds simultaneously in New York and Turin: the video is generated and manipulated live from the United States and broadcast alongside Piero Acuto’s music, whilst in Turin, images and sound converge within the exhibition space. The two elements come together during the performance, making geographical distance an integral part of the composition.

The process echoes that underpinning the duo’s foundational textile research project, in which literary fragments by different authors and from different eras are extracted from their original context and combined to generate new narratives. Here, the same conceptual framework is translated into a different language: the written word is replaced by the moving image, and the page by the duration of the performance.

The title A Matter of Quality Rushing into My Sight After Black also follows a similar process: the titles of the three previous works intertwine to form a new phrase, which becomes the framework from which the live set takes shape.

Piero Acuto is a musician, composer and designer from Turin. His work spans electronic music, graphic design and design. In the field of sound, including through the Peter Sharp project, he explores rhythms, sequences and electronic layering, often in dialogue with visual and performative projects. In the field of contemporary jewellery, he works under the name AQTO, transforming everyday objects and recycled materials into unique pieces.

Federica Patera and Andrea Sbra Perego are an Italian artist duo based in Brooklyn, New York. Working together since 2017, they have been developing a body of work that interweaves textile and textual practices, installation, sound and time-based media, exploring language as a living, ever-changing system capable of forging connections between cultures, eras and forms of knowledge. At the same time, the duo is developing a body of work centred on video and live projection, using archive footage, real-time editing and site-specific interventions to translate into the audiovisual realm the processes of fragmentation, recomposition and translation that are already central to their artistic practice.

To mark Turin Art Week 2026, their textile- and text-based works are on display at the Weber & Weber Gallery in the solo exhibition How Slowly Can I Write?, from 27 October. Among the other works on show is a large-scale immersive textile installation with sound design.

FRIDAY 30 OCTOBER 2026

18.00 pm

 Sea (3’49”)

Section (live- ca. 20′) 

 

Artist: J.J. Zana

Channel: stereo

 

J.J. Zana (*1985, Marseille) is a contemporary artist whose practice encompasses writing, sound, installation and performance. Since his debut in 2022, he has exhibited works internationally — and published three books composed of fragments (Cycles/Script/Air). 

His sonic practice extends this non-linear aesthetic: samples, field recordings and processed noise are superposed to create sound collages. Lasting from four to sixty minutes, these compositions are either broadcast or performed live using a minimalist set-up consisting of a computer, audio interface and mixers. 

Heterogeneity of materials and sources — absence of narration or illustration — emphasis of dynamic and mass rather than harmonic or melodic progression — saturation of audio space — all contribute to a method that occupies an off-centre position between sound art and experimental music.

SUNDAY 1 NOVEMBER  2026

11.00 AM

DI VOCE IN VOCE

Repeat after me

 

women’s choir – La bottega musicale

 

Like seeds carried by the wind, they traverse times, places and communities. They are cherished, altered, forgotten and rediscovered. They pass from voice to voice. They linger for a time in one life, before being reborn in another.

Memories, stories, melodies from the oral tradition. Pieces performed a cappella by a women’s choir, interwoven with images of nature, animals, the wind, sleep, seasonal cycles, rituals and transformations. Simple, deeply human themes that recur across distant eras and cultures. A soundscape traversed by states in between: between wakefulness and sleep, human and animal, childhood and adulthood, winter and spring.

The choir moves, gathers, disperses. At times it is a single entity; at others, it divides into distinct presences. The voices rediscover within themselves something of that ancient sound, a root that has not been lost. For a time it dwells within them, before passing on to other voices.

SUNDAY 1 NOVEMBER 2026

4.00 pm

CHI SALE?

 

Educational workshop curated by Elena Deambrogio

 

A workshop on stopping, waiting and possible directions, aimed at 15 children aged between 6 and 11. A creative experience in which to pause: to explore, imagine and shape new paths.

We will engage with the theme of the 15th edition of The Others in a practical way, exploring the concepts of arrival, pause, movement and departure in relation to the setting of a bus stop. A place of transition where no one is meant to linger for long, yet for a certain time it becomes a space to inhabit. Who are the people passing through it? Where do they come from? What are they really waiting for? And what do they need?

Through observing the artworks on display and using various artistic materials, participants will bring the everyday to life with new characters and stories waiting to unfold. The session, lasting approximately two hours, offers an opportunity to connect with one’s own imaginative world, where waiting areas are traversed, experienced and reinvented.

The workshop is free for children; adults may attend upon purchase of a ticket for The Others.